Acapella Collab: She’s Not There (The Zombies)
Vocals: Diane Poole and Liz Brinker
Ukulele: Liz Brinker
Percussion: Jim (@Steelwool)
Piano and Bass: Yours Truly
In which Franco blogs about jazz, music, and practice... usually while enjoying a cup of brew.
Acapella Collab: She’s Not There (The Zombies)
Vocals: Diane Poole and Liz Brinker
Ukulele: Liz Brinker
Percussion: Jim (@Steelwool)
Piano and Bass: Yours Truly
Video Link: https://mixcord.co/acapella/p/M16FeSPkqMO3Wp5dbVOQ8Q/
Ukes: Kevin Hearle
Double Bass: Franco Luong
https://mixcord.co/acapella/p/z8G5Z12_REatqSQBONS9Jg/
Ukes: Kevin Hearle
Drums: Patrick Hearle
Keyboard and Bass: Me
Over the past few years, Kevin Hearle has been a persistent presence in my musical life. We recently decided to start some collabs together and here's our first offering.
The is the Main Title score from Band of Brothers:
https://mixcord.co/acapella/p/Qj_JgdI_i_Tja8IGKVKkYA/
It's an unusual tune for me... I guess I'd call it a choral orchestra arrangement, which is to say, there are a lot of voices weaving into one another.
I did a few days of "study work" on piano to get into the bones of the music and this is what it sounded like using the cheesy "Chorus" voice on my digital piano:
https://mixcord.co/acapella/p/_5oQinWXSub8Lt76R846aQ/
I love getting to work with Kevin. He has a penchant for working out ukulele chord solos for pretty songs and I really admire his commitment to developing his music.
Recorded an Acapella collab with Diane Poole, Liz Brinker, and Jim Allen (steelwool).
This is also my public debut on Electric Piano.
Listening to recordings is a crucial aspect of building up your Jazz Repertoire, which is a fancy term for the list of jazz tunes that you know.
My rollout strategy for tackling a new tune involves adding it to a playlist titled "Jazz Familiarization". This list is for tunes that I plan to play once I can hum the head of the tune all the way through.
Occasionally, this gets a bit tricky. Peace by Horace Silver is a tune in Paul Pieper's essential repertoire list for The Jazz Workshop. But searching for "Peace" in Amazon Prime Music is even worse than searching for "L.O.V.E.":
And searching for "Peace Jazz" doesn't much improve things because a lot of song titles and album titles include the word "peace".
It is in these circumstances that I find it useful to resort to Wikipedia: https://en.wikipedia.org/wiki/Peace_(Horace_Silver_song)
Thankfully they have a list of versions and I was able to search for terms like "Peace Chet Baker" which makes things a lot easier!
"Peace has regularly attracted younger musicians".[3] Silver recorded a version with vocals by Andy Bey on That Healin' Feelin' a decade after the original recording.[5]
Chet Baker – Peace (Enja, 1982)
Tommy Flanagan – Something Borrowed, Something Blue (Galaxy, 1978)
Chico Freeman – Spirit Sensitive (India Navigation, 1979)[2]
Billy Higgins – The Soldier (Timeless, 1981)
Norah Jones – Day Breaks (Blue Note, 2016)
Norah Jones – First Sessions (Blue Note, 2001)
Bobby McFerrin – Bobby McFerrin (Elektra/Nonesuch, 1982)[2]
Blue Mitchell – Smooth as the Wind (Riverside, 1961) and The Last Tango = Blues (Mainstream, 1973)
Dave Palmer – Romance (Three Crows Music, 2006)
Horace Parlan – The Maestro (SteepleChase, 1979)
Courtney Pine – Journey to the Urge Within (Verve, 1986)
Shirley Scott – Skylark (Candid, 1991)
Gary Thomas – Till We Have Faces (JMT, 1992)
Thanks, Wikipedia!
I've had the bass for a week now.
I finally made time to watch a DVD I bought: Essential Techniques for Acoustic Bass. I added pencil marks this afternoon to help me to navigate and learn the distances between notes. The first 2 marks I added are equivalent to the second and third frets on a Bass Guitar.
Unlike bass guitar, which often employs 4-finger-to-4-frets, most of the methods I have looked at use three fingers over three "frets" because of the extra distance. At least until you get up higher.
I definitely think this will help me to develop muscle memory. I spent far too much time hunting for notes before.
—
This week, I bought rosin and a stand for the bass so I don't have to lie it on the side all of the time. I am only playing it a tiny bit every day because it takes a lot of stamina. No problems with calluses or blisters just yet.
And sometimes my noises sound musical too.
On Friday I took a half day from work to go out to The Plains, Va to pick up this bass from Thomas Andres Wolf. It’s a Shen SB180 3/4 Hybrid bass.
I asked Mr. Wolf to choose strings to set it up for Jazz (although I will be a while before I feel like I can take it out. He replaced the stock bridge and strung it with Pirastro Perpetual strings. I also asked for bumpers on the side so that I can lay the bass down and a Fishman Full Circle pickup.
I’m now trying to build up some new calluses and learning to use a bow for the first time in my life. Hoping that the bass lesson I scheduled for next week gets me on onto a good practice program.
Tip 1: There's nothing like paying $200-$300/month to focus the mind and your practice efforts. Use this!!! Make it a priority to practice the tunes on your set list daily... even for 5 minutes.
Tip 2: Use your Amazon Prime membership for Amazon Prime Music. It gets you a lot of Jazz tunes for “free” if you’re the primary Amazon Prime member. So use it to create a playlist and add many versions of each tune from your practice set-list to it. This helps you to practice away from your instrument. If you have a 30 minute drive, now you're practicing the song form and getting it drilled into your ears... Get yourself to be able to sing the head for every with tune excellent timefeel.
Tip 2a: Use the Amazon Music desktop app if you want to see even more versions of songs... the phone version only gives you a limited list.
Tip 2b: Look at the length of songs... the ones that are longer than 5 minutes are guaranteed to have multiple soloists... those are the ones you want to aim for.
Tip 3: Use iRealPro to practice, but do so with care. Turn off the play position marker so that you can't cheat. Use your ears to find your way back if you lose the form.
Tip 3a: Make sure you do enough repetitions on each tune that you get to play the head in and out, take a couple of choruses of solo, and practice trades. (Even if you're not a bass player, practice "walking". Even if you're a bass player, practice harmony with double-stops and 3-note chords.)
Tip 3b: If you get lost during a Jam with other people, rely on your rhythm section to help you get back. (If they get lost too, you're sunk... but it's still good practice)
Tip 4: Don't look at the chart while you're taking your solo. It's all about your ears and instinct at that point.
Tip 5: Go to jam sessions. Then fix your weak spots.
From a couple emails I sent to my personal email list:
Sunday **morning** I will be playing with Sisters Uke and Friends at the Olney Farmers Market.
For those who don't already know, my music education program presently includes being a student at The Jazz Workshop.
I've been in the Monday 615p group since October or so and this Sunday we will be one of the featured groups that get to perform a set.
There are usually 2 performance sets on the last Sunday at Epicure Cafe. 7pm is the first set, but my group's set is at 8pm!
The music is Jazz in a small-group combo, all instrumental and heavily improvisational. If you're a swing-dancer it's way more bebop-y than what we're used to on the dance floor and the songs run a bit long for dancing. (also note, Epicure isn't setup for dancing, it's more of a listening/dining room)
Our lineup is:
Steve Halter on Trumpet
Patrick Fazzone on Mandolin
Mark Glassman on Guitar
Larry Smith on Piano
John Goss on Drums
Franco on Bass (me)
If you're from town or in-town, this is a good chance to come see what I've been working on! Message me if you have any questions.
Someone asked me if I teach private lessons after my volunteer ukulele teaching gig the other day. It was really flattering. I said, no, I don’t but that private lessons won’t matter unless you can find time to practice at home in the first place. I said that I was happy to send her home with the music we already played and a homework assignment.
We live in this fantastic internet age where you can get lots of beginner lesson material for free. All you really need to start learning an instrument is:
lead sheets for a couple of easy tunes you want to learn
some basic technique practice patterns
commitment to practice regularly
By “regularly” I mean multiple times a week and at consistent days/times. Ideally, this is first thing in the morning during the first 3-12 weeks that you’re trying to add a new routine or habit to your life.
I do have to applaud the person who asked if I teach private lessons for being willing to spend money on it. For some people, spending money helps to ensure commitment. But in my own experiences, spending money has never guaranteed my own commitment so I don’t take for granted that it is enough.
One must first establish a regular pattern of musical practice. Only then should one seek out instruction. Because what are we seeking after all, except feedback on what we ought to practice?
I pulled together my "get off book" practice list for May 2019.
Some of those are new tunes, some are ones that I need to refresh/maintain. The objectives for this list are as follows:
Be able to...
This weekend I spent a lot of time at Foxes Music checking out double-basses. Unfortunately for me, the one I love is more expensive than a couple of my most expensive electric basses put together. Also, I'm not certain that I'm the right caretaker for a fine instrument at this point.
They say your first motorcycle should be something used because you will probably drop it, crash it, or do something otherwise foolhardy that will make you glad it wasn't new. True for expensive instruments? I don't know.
Last I got to hang out at Epicure Cafe for the 3rd Sunday Jam run by Jerry Bresee. It was sparsely attended, probably owing to Passover and Easter. But I liked how friendly and casual it was. I got into longer conversations with people than usual and found 3 music educators in attendance. Very cool!
I had the chicken kabob for dinner! It was good!
On 4/28 at 11am I will be joining Sisters Uke and Friends on Bass to play at the Kensington Day of the Book for a couple sets on the porch of the Sweat Shop.
I met Liz Brinker and Cinda Smith a couple years back at the Strathmore Uke Fest and they have been really great musical collaborators. It should be a good time!
I played at the Jazz Jam yesterday at Minton's Academy of Music in Ashburn - there was FB live video. I rotated onto the stage a few times:
00:14:50
01:34:xx
02:35:xx
It's really nice to get to play jazz in the daytime while I'm mentally sharp. And the other bass players, Fernando and Zack, were really inspiring to watch and listen to!
The next Minton’s Jam is on Cinco De Mayo… who’s bringing the margaritas?
Big thanks to Minton’s for being a great host! Check them out here: https://www.mintonsmusic.com
I'm still working through Janek Gwizdala's ii-V-I book... very slowly.
I just moved on from mapping out the 1st, 3rd, 5th, and 7th degrees for each chord to adding a half-step approach tone for each.
Here's me trying to incorporate it... it's slow work and I can't really do it in realtime at all but I figure if I do about 10-20m a day of this, it'll get easier.
An important part of how I organize learning and internalizing Jazz tunes is to try to spend time with a set of songs each month. I assemble a playlist with many versions of those tunes and listen a lot. I assemble a playlist in iRealPro and use it for practice.
These are tunes I will be spending time with in April 2019.
Top 10:
Medium
Medium Up:
Bossa:
Blues and Rhythm Changes
Waltz:
Ballad: